Le Drum Circle du Mile-Ex est un cours de percussion collective avec des signes guidés par le percussionniste Daniel Emden, en intégrant une technique participative où les gens sans expérience musicale, joue ensemble avec des musiciens professionnels de façon amusante.
Une centaine de signes sont progressivement enseignées pour donner aux participants différents paramètres de la musique. Au début de chaque session, les signes sont ensegné pour indiquer les nuances, tempo, timbres, loops, panning, figures rythmiques, effets spéciaux, entre autres.
Une centaine de signes sont progressivement enseignées pour donner aux participants différents paramètres de la musique. Au début de chaque session, les signes sont ensegné pour indiquer les nuances, tempo, timbres, loops, panning, figures rythmiques, effets spéciaux, entre autres.
adresse170 jean-Talon Ouest, Studio 201
Montréal, QC H2R 2X4 Les cours de Drum Circle se donnent au deuxième étage de l'Atlas building (Studio Vision Violeta et YogaLab) entre les rues Waverly et Alexandre. Les Drum Circles ont été menées dans des institutions telles que Domaine Forget, Camp Musical St-Atexandre et au Camp Musicaustral au Chili. Si vous voulez avoir les Drum Circles chez vous ou dans votre institution, écrivez-nous à [email protected] |
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CONTACTEZ-NOUS[email protected]
+1 (514) 273-7713 (Canada) PRIXPour un cours (drop-in) 10 $
Quatre cours 35 $ Vous pouvez payer en espèces ou par carte de crédit à la porte. |
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NOTE IMPORTANTE- Pas besoin d'apporter leurs instruments
- Pas nécessaire d'avoir joué la percussion avant - Minimum 6 et maximum 20 inscriptions - Vous serez contacté si le cours est complété ou annulé - Les cours sont payés avant de commencer |
GalerIE
Témoignages
«Pour moi, Le Drum Cirlce du Mile-Ex est une expérience unique et une excellente opportunité pour se connecter avec les autres à travers un seul langage, soient les rythmes et les signes, le tout dans une ambiance très chaleureuse. Chaque rythme et signe que j’ai suivi durant le Drum Cirlce m’étaient comme un dialogue musical auquel j’ai participé pendant 2 heures. Je me rappelle qu’à chaque fois qu’on allume la lumière pour signaler la fin de l’atelier, je me sens de retour à la réalité après avoir été porté ailleurs par la synchronie des rythmes des percussions. C’était un sentiment bizarre le fait de me concentrer pendant 2 heures sans me sentir fatigué à la fin ! Finalement, je trouve que Daniel a pu faire de chacun de nous un petit maestro ! Un grand merci Daniel pour cette expérience inoubliable ; j’ai vraiment hâte d’y participer en 2017».
Youssef Henein, 31 octobre 2016, Montréal.
“Daniel llega con su mate, agarra nuestros pulsos y los organiza de pronto en un sonido que forma ríos y cordilleras. Y así, por una hora, andamos todos sonando colectivamente, felices de ser parte de todos, llenos de risas y cantos, hasta que el Drum Circle se acaba y cada uno vuelve a su propio pulso con un poquito de nostalgia, esperando en silencio hasta la próxima vez...”
Claudio Palomares, 2 de noviembre 2016, Montreal.
"I remember the first time I went to a drum circle at Daniel Emden's studio, it was about two years ago. I arrived , parked my car, and entered the building. It is an old industrial building. I went up to the second floor and walked towards his door number. The old factory floor creaked as I walked and I was nervous as I approached the door. The hallway way was grey and the atmosphere was very cold and industrial. I knocked and to my surprise one of the most happy looking people that I ever saw opened the door. It was Daniel, smiling, he invited me into the drum space. It is a cozy place that feels like home to the drum. There were many drums neatly placed in a half circle. Daniel's girl friend Fabi was also there,just as happy and ready to greet all the participants as they arrived. We all took a seat with a drums and were ready to start. I wondered how we would go from a group of individuals who did not know each other and in some cases never touched a drum to a cohesive group playing rhythms. It did not take long,Daniel is a natural teacher and makes even a beginner feel that he or she has something to offer. He explains the hand signals that he uses to communicate what he wants us to do on our drum. He has a wonderful ability to let people feel that they have freedom and are allowed to make mistakes and yet maintain full control. His drum circle is one that practices balance. Balance in the sense of zen. When he conducts he has the ability to offer something difficult enough to make it interesting and yet never so difficult that someone will get discouraged. By doing this we only think about what is happening in the present moment and so we forget all of the problems of the day. This is not drumming...it is meditating, while interacting with a variety of people. I must say that this experience is also a community celebrating the diversity of different cultures,women and men, young and old.
We usually do four sections or songs during the two hours that we are there. We can only play one drum during a section and we must maintain the beats that we are assigned. Sometimes a person will be given an extremely easy beat but then Daniel layers other people playing other beats over the first beat and that's when the magic happens. No matter how simple your assigned beat might be you will exercise your memory and ability to listen to the interactions of the group. It calms your mind and you may even get a little bit of exercise as well.
Then suddenly...it is all over and you will be eagerly waiting for the next Daniel Emden Drum Circle."
Conrad Popko, November 11th 2016, Montreal.
Youssef Henein, 31 octobre 2016, Montréal.
“Daniel llega con su mate, agarra nuestros pulsos y los organiza de pronto en un sonido que forma ríos y cordilleras. Y así, por una hora, andamos todos sonando colectivamente, felices de ser parte de todos, llenos de risas y cantos, hasta que el Drum Circle se acaba y cada uno vuelve a su propio pulso con un poquito de nostalgia, esperando en silencio hasta la próxima vez...”
Claudio Palomares, 2 de noviembre 2016, Montreal.
"I remember the first time I went to a drum circle at Daniel Emden's studio, it was about two years ago. I arrived , parked my car, and entered the building. It is an old industrial building. I went up to the second floor and walked towards his door number. The old factory floor creaked as I walked and I was nervous as I approached the door. The hallway way was grey and the atmosphere was very cold and industrial. I knocked and to my surprise one of the most happy looking people that I ever saw opened the door. It was Daniel, smiling, he invited me into the drum space. It is a cozy place that feels like home to the drum. There were many drums neatly placed in a half circle. Daniel's girl friend Fabi was also there,just as happy and ready to greet all the participants as they arrived. We all took a seat with a drums and were ready to start. I wondered how we would go from a group of individuals who did not know each other and in some cases never touched a drum to a cohesive group playing rhythms. It did not take long,Daniel is a natural teacher and makes even a beginner feel that he or she has something to offer. He explains the hand signals that he uses to communicate what he wants us to do on our drum. He has a wonderful ability to let people feel that they have freedom and are allowed to make mistakes and yet maintain full control. His drum circle is one that practices balance. Balance in the sense of zen. When he conducts he has the ability to offer something difficult enough to make it interesting and yet never so difficult that someone will get discouraged. By doing this we only think about what is happening in the present moment and so we forget all of the problems of the day. This is not drumming...it is meditating, while interacting with a variety of people. I must say that this experience is also a community celebrating the diversity of different cultures,women and men, young and old.
We usually do four sections or songs during the two hours that we are there. We can only play one drum during a section and we must maintain the beats that we are assigned. Sometimes a person will be given an extremely easy beat but then Daniel layers other people playing other beats over the first beat and that's when the magic happens. No matter how simple your assigned beat might be you will exercise your memory and ability to listen to the interactions of the group. It calms your mind and you may even get a little bit of exercise as well.
Then suddenly...it is all over and you will be eagerly waiting for the next Daniel Emden Drum Circle."
Conrad Popko, November 11th 2016, Montreal.
